Salem's Cipher

  Copyright Information

  Salem’s Cipher © 2016 by Jess Lourey

  All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Midnight Ink, except in the form of brief quotations embodied in critical articles and reviews.

  As the purchaser of this ebook, you are granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

  Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law.

  This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, business establishments, events, or locales is entirely coincidental.

  First e-book edition © 2016

  E-book ISBN: 9780738750729

  Book format by Bob Gaul

  Cover design by Lisa Novak

  Cover images by iStockphoto.com/32932926©inxti

  shutterstock/216848707©Andrea Izzotti

  Emily Dickinson photo courtesy of the Emily Dickinson Collection,

  Amherst College Archives & Special Collections

  Editing by Nicole Nugent

  Midnight Ink is an imprint of Llewellyn Worldwide Ltd.

  Library of Congress Cataloging-in-Publication Data

  Names: Lourey, Jess, author.

  Title: Salem’s cipher / Jess Lourey.

  Description: First edition. | Woodbury, Minnesota : Midnight Ink, [2016]

  Identifiers: LCCN 2016007591 (print) | LCCN 2016013517 (ebook) | ISBN

  9780738749693 (softcover) | ISBN 9780738750729 (ebook)

  Subjects: LCSH: Cryptographers—Fiction. | Secret societies—Fiction. |

  Conspiracies—Fiction. | Code and cipher stories. | GSAFD: Mystery

  fiction. | Suspense fiction.

  Classification: LCC PS3612.O833 S25 2016 (print) | LCC PS3612.O833 (ebook) |

  DDC 813/.6—dc23

  LC record available at http://lccn.loc.gov/2016007591

  Midnight Ink does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

  Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publisher’s website for links to current author websites.

  Midnight Ink

  Llewellyn Worldwide Ltd.

  2143 Wooddale Drive

  Woodbury, MN 55125

  www.midnightinkbooks.com

  Manufactured in the United States of America

  To Jill, my wise, efficient, and kind partner in crime.

  Author’s Note

  The historical events and figures in this novel are accurately portrayed. Specifically, the history of cryptography as presented is established fact, including Charles Babbage’s and Alan Turing’s contributions to the field, as is the history of the Salem Witch Trials and the origins of the Black Chamber. Same with the accounts of Artemisia Gentileschi, Emily Dickinson, Lucretia Mott, Andrew Jackson, and Thomas J. Beale. I fictionalized their intersection with the characters in this story.

  The locations in the book and their history are also accurately described to the best of my ability: Minneapolis; Salem and the First Church (all three); Amherst and the Emily Dickinson Museum; San Francisco’s Chinatown, Dolores Park, and Dolores Mission; and Alcatraz Island. The Vigenère and Beale Ciphers are also real and a fascinating trip through history, if you have the time.

  All other characters and organizations are works of fiction.

  Also, for those interested in accessing more of Emily Dickinson’s poetry, the body of the complete Dickinson poem in Salem’s Cipher came from the 1890 edition of Poems, First Series, edited by Mabel Loomis Todd and T. W. Higginson.

  Prologue

  Linden Hills, Minneapolis

  Grace Odegaard inserted her key into the top dead bolt and rotated it. The lock slid free with a satisfying snick. She repeated the action with the three locks below, humming to herself, a satisfied smile anchoring her face. The date had gone well. Not great—she could have done without the corny jokes—but good enough. He was a high school soccer coach. The conversation had flowed easily. At the end of the night, he’d kissed her. Not too sloppy, exactly the right length of time. He’d even held her face when his lips brushed hers, just like in the movies.

  Her smile widened.

  “Out late, aren’t you?”

  Grace jumped, her heart pounding. “Mrs. Gladia.” Her neighbor of seven years stood in the shadows of the hallway, hair askew. She wore a quilted robe and slippers.

  “Was it a date?” Mrs. Gladia stepped into the light. Her dog, Dante, a ratty puff of yellowish fur, was tucked under her arm.

  Grace threw the beast a look. He snarled at her. She’d dog-sat him before, but their relationship had never thawed beyond this stage, primarily because Dante was an asshole. “It was. Our first.”

  “Did he drive a nice car?”

  Grace coughed to mask a laugh. As far as she could tell, Mrs. Gladia hadn’t been on a date since the ’50s. “I don’t know what he drove, but I liked his smile.”

  Mrs. Gladia tipped her chin and studied Grace. Dante adopted a low growl, a tiny machine gun of fruitless anger low in his chest. Mrs. Gladia patted his flattened ears. “You’re a good girl, Grace. Make sure to lock your doors. This world isn’t safe.” She shuffled back into the shadows and down the hall.

  Grace waited until Mrs. Gladia entered and locked her apartment before crossing into her own two-bedroom, smiling at the glitter jack-o’-lantern cut-outs that decorated the door. Tomorrow was Halloween, and she hoped for trick-or-treaters. She tossed her purse onto a celery-colored recliner and stretched before engaging all four locks. Flicking on the TV for background noise, she kicked off her shoes and padded to the bathroom to remove her make-up and brush her teeth.

  “The wave of refugees threaten to overwhelm the bordering European nations, with upwards of four million people fleeing the conflict. Coming up after the break, this year’s presidential election is nine days away and has already broken all campaign …”

  She hummed as she swiped her eyelids with Vaseline. Forty-nine years old and she was holding up okay, if she did say so herself. Wrinkles around her eyes only when she smiled. She’d been thinking about squirting Botox into those. Her auburn hair had sprouted a few grays, which she plucked the second they appeared. Tummy and thighs had bounced back almost immediately after birthing Isabel, the welcome result of a one-night-stand, twenty-nine years earlier. She’d kept them tight with yoga and weightlifting ever since.

  She wiped the last traces of the day from her face, leaving a beige streak on the plush towel. Bel had tried to talk her into wearing less make-up. Made her look older than she was, her daughter argued. Grace had said she’d think about it.

  She hadn’t.

  She glanced at the king-sized pillow-top calling her name. Bright and early tomorrow, she was scheduled to show a $2.25-million French Colonial on the north side of Lake of the Isles. She needed to be on her game.

  She clicked the “off” button on the TV remote at the exact moment a single knock struck her door.

  “Mrs. Gladia? It’s late.”

&nb
sp; No answer.

  Grace shrugged. Maybe it had been an echo from the TV. She glided across the living room toward her bedroom.

  A second knock sounded.

  “Mrs. Gladia? I’m going to bed.”

  Still no answer.

  Grace sighed and made her way to the front door. She undid the top lock, then the second, then the third. She had the fourth dead bolt in hand before it occurred to her to peer through the spy hole. Time had made her careless.

  What she saw on the other side stopped her breath.

  She twisted the fourth lock and whipped the door open. “Vee? What’s wrong?”

  Her friend spilled through the doorway. Vida’s lovely silver-and-black hair, normally styled into a tight bun, was disheveled. Dark bags packed her eyes. She spun and began locking the door before she was entirely inside the room.

  “Have you seen the news?”

  Grace stared at the dark television. “I just had it on. Why?”

  “We need to leave.” Vida turned to face Grace. “Now.”

  “To where?”

  Vida didn’t answer. She didn’t have to. It was etched in the lines of her face.

  Grace’s stomach lurched. “It’s happened?”

  “Another one isn’t answering her phone. It’s only a matter of time.” Vida patted the necklace under her shirt, a bauble purchased for her by her daughter a decade ago. Grace wore an identical one, half a pink quartz heart, the word love etched in it. Bel and Salem had bought them for their moms, keeping the other half of the hearts for themselves. “We have to tell the girls. In person. The phones aren’t safe.”

  Grace’s hand flew to her mouth. “They’re not ready,” she whispered.

  Vida rubbed her eyes. “They’re going to have to be. Your suitcase is packed?”

  Grace nodded and hurried into her bedroom. She grabbed the duffel from her closet. Of course it was packed. It had been packed since Daniel’s murder fourteen years earlier.

  “You’ll bring it?” Vida stood at the bedroom door, her mouth a tight slice.

  Grace’s eyes swooped to her nightstand. Daniel, Vida’s husband, had built it for one purpose before he died. Grace knelt, pushed four concealed wooden buttons in a prescribed order, and turned the knob on the front panel. A tiny drawer popped open. It held a single item the size of a quarter.

  Vida peered over Grace’s shoulder. They both stared at the silver locket. The top loop was strung with a platinum chain, nearly unbreakable. A milky seed pearl dripped off the bottom. The locket’s hinge was delicate, microscopic. The inside was smooth except for one engraved word: mercy.

  “Hide it,” Vida commanded. “If we lose that, we lose everything. We all lose everything.”

  Grace stood up too quickly, knocking over the table and the lamp it held. The light crashed to the ground, flashing jerky, macabre shadows across the room. Hands shaking, Grace righted the lamp and scooped up the locket. It took her three tries to slip the chain over her neck. She tucked the jewelry under her sweater, next to her half of a pink quartz heart.

  “I’m ready.”

  Vida nodded curtly, but her face was crumbling. She gathered Grace in an embrace. “I’d hoped it would never come to this.”

  Grace clung to her for a moment. It felt greedy. They pulled apart and darted toward the front door, their breath matched and quick.

  For one sweet second, Grace thought of the future. Of making it out of this alive. Of protecting Salem and Bel, more precious to them than their own lives.

  But then she spotted it.

  The door handle twisting slowly, a snake in a bush.

  It took everything within Grace not to whimper.

  Vida grabbed Grace’s hand, her finger flying to her lips in warning. Eyes pinned to the doorknob, Vida eased her hand into her jacket and tugged out a wooden box etched with an om symbol, setting it on the TV stand next to her.

  Grace smiled bitterly, recognizing the container for what it was: a fail-safe should they not escape this apartment. She and Vida exchanged a glance pregnant with regret. Beads of sweat erupted on Grace’s top lip. She could taste her own salt as she stared at the door, bracing herself.

  The door handle stopped moving, replaced by a loud knocking. “Grace! What is all that racket over there? Me and Dante are trying to sleep.”

  A hot wave of relief washed over Grace. “It’s Mrs. Gladia. My neighbor.” She attempted to reassure Vida with a smile, but her mouth was too dry and her top lip caught on her teeth. She strode forward to unlock the door.

  Vida tried to hold her back, but Grace brushed her off. “You’ve met her. The Italian widow from next door? If I don’t calm her down, she’ll never let us leave. Besides, this door is the only way out.”

  Grace slid open the first dead bolt.

  Then the second.

  The third.

  The fourth.

  The air grew syrupy. The heat of it felt impossibly drowsy.

  She inched the door open.

  The apartment shadows shifted as the hallway lights slithered in.

  Grace’s animal brain, her deep instinctual self, screamed at her to run.

  She ignored it. She would not lose herself to panic. She would behave normally. That was the only way she and Vida were going to survive this. When your neighbor knocks, you answer.

  Only when she landed eyes on Mrs. Gladia on the other side of the door, miserable Dante snarling in the crook of her arm, did she realize she’d been holding her breath. She exhaled in a loud whoosh.

  Mrs. Gladia was scowling. The sleep-flyaways in her hair made her expression difficult to take seriously. A relieved laugh forced its way out of Grace, but it was shrill, a teakettle giggle. She waved the air as if to erase the sound.

  “Sorry, Mrs. Gladia. You remember my friend Vee? We were just going out for a—”

  A symphony of tiny pops erupted from the hallway next to Mrs. Gladia, as if a hundred mouse bones were cracking and snapping back into place. Vida’s fingertips dug into Grace’s shoulder.

  What happened next took less than a second.

  The blade flashed from the shadows. Dante barked, but it was too late. The knife unzipped Mrs. Gladia’s neck, its steel so sharp that for a moment, her flesh was too shocked to bleed. It could only quiver, a deep red jelly.

  Mrs. Gladia turned toward the assailant and gargled. A bloody bubble moistened her lips.

  The first spurt erupted from her neck, the counter-stroke to her vanishing heartbeat. It sprayed the walls to the right of the apartment door, washed the front of her robe, poured across the floor. Mrs. Gladia dropped Dante. He began yapping in earnest. She toppled backward like a felled tree.

  On the floor above, one door opened, and then another. The muffle of voices drifted down. Dante’s barks were waking up the building. He licked at his mistress’s blood between yelps, an asshole to the end.

  Grace would never know any of this.

  Vida had grabbed her at first glint of the wicked steel, ripped the duffel bag from her hand, and shoved her toward the window. She’d yanked it open and leapt onto the fire escape, urging Grace to follow.

  Grace had stuck her head out the window. She’d hesitated.

  Three stories below, a smattering of people walked in the cool fall air. They weren’t moving quite right, ambulating a little too slowly, with a little too much precision, like well-crafted robots.

  Or puppets.

  Grace blinked. The people below shifted, walking normally. It must have been a trick of her eyes. It didn’t matter. She had only one option, really.

  “Run!” Vida yelled, seizing the collar of Grace’s sweater and yanking her out the window.

  Behind them, the killer broke Dante’s neck with a single smooth twist and stepped over Mrs. Gladia’s spouting body and into the apartment. He surveyed the space, eye
s darting to the open window.

  Grace’s white linen curtains danced on the smoke-scented breeze.

  He cleaned and then sheathed his blade.

  Next, he placed his gloved hands on each side of his skull. The shape of his face began to change—first the brow bones, advancing to the cheeks, and then the nose and mouth.

  From long practice, he kept from crying out at the pain.

  If he hurried, he could still acquire the women.

  Monday

  October 31

  1

  Uptown, Minneapolis

  “You’ve been coming home late. I worry.”

  He stared at her.

  Salem planted her hands on her hips. “Strong and beautiful,” her mom called her curves, exhorting her to be proud of her half-Persian heritage. The hips and strong thighs came with a head of unruly dark curls and khaki-green eyes that tipped slightly at the outer edges. From her dad, an Iowa transplant, she’d inherited skin that burned easily, an Irish nose more potato than patrician, and a small chest that did not counterbalance her booty. Her best friend, Bel, referred to her as “farm girl on top, phat magic below.”

  Her mismatched parts had never bothered him, though. He’d always been loyal, neither needy nor distant. A perfect balance. That was, until the past two weeks, when his nights out had inexplicably grown late and then later.

  “You’re tomcatting around, aren’t you?”

  He held his tongue, watching her coolly.

  She sighed, the puff of air pushing a curl out of her eyes. “I deserve better, you know? Have you even seen this?”

  She pointed toward the copy of Minneapolis Magazine. The cover headline was “Top Twenty-Somethings to Watch” over a photo of Carl Ivy, a twenty-six-year-old Edina native who’d developed a social media grinder app that simultaneously placed the same photo on a dozen different sites, generating a unique, web-vetted, guaranteed-hilarious caption for each of the twelve posts. He’d named the app Looking Glass. Mark Zuckerberg had offered him $3 million for it.

  “I’m on page twenty-seven, not that you’d care.”